From the Keyboard of Surly1
Originally published on the Doomstead Diner on June 19, 2013
Discuss this article here in the Diner Forum.
In researching TWTWID, it is doom, doom, doom all the time. So for a break, let’s talk about movies about Doom.
It would be difficult to overstate just how oblivious I am to some aspects the world in which I live. While acutely aware of political developments on the local state and national scene, and while passionately devoted to a handful of vital causes,I am in fact one of the more popular-culture-ignorant people you could ever meet. There is an entire skein of knowledge about individuals and phenomena of which I am blissfully unaware. (Of course, any free time I have is devoted to reading the Diner Forum, a few other blogs, and eternal maintenance on my mouldering urban slum.)
With that admission in mind, consider this: on Fathers’ Day, my daughter took Contrary and I to the movies, which was a first, since I have been taking her since Disney’s Beauty and the Beast. The movie we saw was just fine, but what really struck me were the coming attractions.
I found, in the trailers we saw in the cool darkness, a remarkable reflection of the zeitgeist, and distinct echoes of topics and issues we have discussed in the recesses of the Forum. To that list I’ve added from a brief web search, so that you will have an idea when Doom is Coming To A Theatre Near You.
Now this is not a stretch, because we talk about EVERYTHING on the forum at one time or another. Yet I found the timing of the upcoming release of these films quite remarkable. Take a brief tour with me:
Due for release June 21
The story revolves around United Nations employee Gerry Lane (Brad Pitt), who traverses the world in a race against time to stop a pandemic that is toppling armies and governments and threatening to decimate humanity itself. The pandemic involves zombies. Given the rollicking “Zombie Rehab” thread inside the Diner Forum, this film is being released right on time.
Since Brad Pitt is starring, it is reasonable to expect boffo box office, as the Variety hacks might say.
Was released on May 10, but I never heard of it, and its plot is such that it deserves a mention here. Especially given RE’s predilection for “Orkin Man” solutions.
A security guard for an armored truck, Jim (Dominic Purcell) is a blue-collar New Yorker who works hard to earn a living. His wages support himself and his wife Rosie (Erin Karpluk), who is on the upswing recovering from a near-fatal illness. Yet things start to fall apart after Rosie’s health insurance stops covering her treatment and Jim’s life savings are lost via a disastrous investment his stockbroker had advised him to make. As a row of professional and personal dominoes falls, Jim is confronted by the realization that, after being abused and exploited by financial institutions for far too long, he has only one choice: to strike back.
Simply based on the trailer and description, this film promises to rettrace some of the ground broken in Falling Down, a 1993 crime drama film starring Michael Douglas in the lead role of a divorcé and unemployed former defense engineer who tears up LA in a violent rampage. This time, it’s the bankers’ turn. RE is already ordering the Blu-Ray version…
This film has been released in some markets as of June 7; and is actually playing here. Starring Ethan Hawke and Lena Headley, it touches upon themes of lawlessness, tight governocorporate supersision, and how much liberty people will trade for security. Newshawk Joe P. brought this film to our attention recently on his remarkable Newz page.
A thriller that follows one family over the course of a single night, four people will be tested to see how far they will go to protect themselves when the vicious outside world breaks into their home.
In an America wracked by crime and overcrowded prisons, the government has sanctioned an annual 12-hour period in which any and all criminal activity—including murder—becomes legal. The police can’t be called. Hospitals suspend help. It’s one night when the citizenry regulates itself without thought of punishment. On this night plagued by violence and an epidemic of crime, one family wrestles with the decision of who they will become when a stranger comes knocking.
When an intruder breaks into James Sandin’s (Ethan Hawke) gated community during the yearly lockdown, he begins a sequence of events that threatens to tear a family apart. Now, it is up to James, his wife, Mary (Lena Headley), and their kids to make it through the night without turning into the monsters from whom they hide.
Sounds like family fun, yes?
Scheduled for release on August 9, starring Matt Damon and Jodie Foster.
In the year 2159 two classes of people exist: the very wealthy who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined Earth. Secretary Rhodes (Jodie Foster), a hard line government official will stop at nothing to enforce anti-immigration laws and preserve the luxurious lifestyle of the citizens of Elysium. That doesn’t stop the people of Earth from trying to get in, by any means they can. When unlucky Max (Matt Damon) is backed into a corner, he agrees to take on a daunting mission that if successful will not only save his life, but could bring equality to these polarized worlds.
From the trailer, this film promises to revisit themes familiar to Diners,especially H.G. Wells’ story, The Time Machine, including the tension between the Elois, who in this incarnation are aloft in another realm, and the Morlocks left behind in the rubble of a ruined planet.
Or it could just be Jason Bourne in space.
Wells’ story has spawned two feature films of the same name, and, according to Wikipedia,
…two television versions, and a large number of comic book adaptations. It indirectly inspired many more works of fiction in many media. This story is generally credited with the popularisation of the concept of time travel using a vehicle that allows an operator to travel purposefully and selectively. The term “time machine”, coined by Wells, is now universally used to refer to such a vehicle. This work is an early example of the Dying Earth subgenre.
I am planning to remain oblivious. But I surely intend to catch a couple of these films, in the dark, cool comfort of a local theatre, here at the end of the Age of Oil.